
Alle filmene jeg har lagt ut når jeg har kjørt sykkel er tatt opp i 1080p 60fps. Vet ikke om det blir noe bedre å bruke 720...
Må ta å lese litt her.
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720 60 Wide
Looks great, but why don’t you try using 1080 60 Wide instead
720 120 Wide
This mode is tough for me to like. You’ll notice jagged edges in this mode when looking at full resolution so it won’t even compare to 1080-60 wide – the way it was scaled and read off the sensor gives some aliasing. It looks great on the web on YouTube – if that’s your final output, go slowmo crazy.
720 120 Narrow
Bingo. 120 FPS? Check. No lens distortion? Check. Clean image without aliasing? Check! If there’s any mode in the camera that screams “I’m not a GoPro!” it’s this one. It looks like a 50mm lens and is a clean image. Slow mo is rad. This mode is great for web as well. Blown up next to 1080 or 2.7K, you’ll notice the softness that comes from the Narrow FOV.
960 48 Wide
I’ve never even tried this mode. I bet it looks good.
960 100 Wide
I feel similarly about this mode as I do 720-120 Wide. With this mode there is the opportunity to gain a bit of resolution by stretching 960 to fit to 1080 and dynamically stretching it. Either way, this mode will have slight jagged edges when looking at full resolution.
1080 30 Wide
I did a test where I filmed the same scene at 1080-30 and 2.7K 30. When 2.7K 30 was scaled down to 1080, the details and sharpness were just about identical to 1080-30. So this one gets my full approval; however, you have to ask yourself, why not film this at 2.7K 30 and have the extra resolution if you need it? Either way, 1080 30 Wide is one of the cleanest modes in the camera.
1080 60 Wide
Comparing 1080 30 & 1080 60, you’ll see 60FPS is ever so slightly softer than 30. It’s not something you’d ever notice even scaling the image to 720P or viewing on YouTube, but there’s a slight difference in the way it’s processed. At the end of the day, 1080-60 W is my go-to mode for 90% of filming action sports. With 60FPS you’ve got reduced rolling shutter as well due to reduced exposure time.
1080 60 Medium
This mode rocks. It’s very clean, doesn’t look super GoPro-ie, and is in slow mo. Consider this mode for sweet slider dolly shots, glidecam, or cranes. Try it for car mounted shots. Careful with the POV with Medium or Narrow as you’ll get shakier and more disorienting.
1080 60 Narrow
This mode is very cool. Still a very clean image; however, at this level you’re going to see more of the pixel noise & artifacting. You’re close to pixel levels without scaling so sensor noise could be an issue at lower light levels. Also details will be softer overall. The narrow FOV looks like DSLR video, very unique to GoPro. Fun fact – we actually pulled out a few 1080-60 Narrow shots from the HERO3 reel because your average joe may see it and assume the video wasn’t fully shot on GoPro.